内田滋 (@uchidashige) / posts / x. 俳優 内田滋が自ら企画・開発!観劇専門配信アプリ「kangeki xr」登場
Paris is supposed to be the city of love, but for Jessica Pegula, it turned into the city of heartbreak once again. The American world No. 5 arrived at Roland-Garros with genuine hopes of a deep run, and for a glorious stretch of her third-round encounter, she looked every inch the contender we have come to expect on the sport's grandest stages. Yet the French Open, cruelly and ruthlessly, demonstrated why it is often considered the most unforgiving major of them all. In a match that swung like a pendulum, Pegula coughed up a commanding lead and saw her clay-court dream dissolve in the Parisian humidity, leaving fans scratching their heads at yet another inexplicable collapse from a player of her undeniable calibre.
For a little over an hour, everything seemed to click into place with mechanical precision. Pegula, known for her flat hitting and rock-solid baseline game, had successfully neutralised her opponent's spin-heavy assault. She edged the opening set with a single, decisive break of serve and then immediately seized the initiative at the start of the second, moving ahead by a set and a double break. Her forehand was finding its depth, her returns were landing on a sixpence, and the finish line seemed tantalisingly within touching distance. Watching from the stands, it felt less like a tennis match and more like a canvas being painted with controlled, deliberate strokes. The American was dictating every single rally, and the notion of her losing from that parlous position seemed about as likely as a snowstorm in the Bois de Boulogne.
But sport, as they say, can turn on a single point, and this particular contest turned with an almost theatrical suddenness. A few untimely double faults injected a flicker of doubt; an audacious drop-shot from across the net forced Pegula to stretch awkwardly; and suddenly the tie was alive. The unforced errors began to trickle, then to cascade, like a leaky dam finally giving way. Pegula's first-serve percentage plummeted, and her opponent, scenting blood like a shark in the shallows, began to flatten out her groundstrokes and step inside the baseline. Games that had previously felt routine became gruelling, twelve-point affairs. Pegula fought desperately, saving match points and dragging the contest into a final, tension-soaked set, but the energy she had expended in vain just to claw back level left nothing in the tank for the decisive push. As yet another forehand sailed long, the realisation dawned: the lead was gone, and so, ultimately, was the match.
The defeat is a bitter pill to swallow, particularly because it wasn't a case of an inspired opponent playing out of her skin, but rather a case of Pegula allowing the initiative to slip through her fingers. For a player of her consistency, the perennial quarter-final ceiling at the majors must
俳優内田滋がアラン・ドロンさん悼む「『太陽がいっぱい』は名作。嵐の二宮くんとの舞台の時は」 - おくやみ写真ニュース : 日刊スポーツ
第70回:内田滋(しげ)さん|スペシャルインタビュー「今、かぐわしき人々」|フレグラボ|日本香堂
内田滋 (@uchidashige) / Posts / X
内田滋 (@uchidashige) / Posts / X
内田滋 (@uchidashige) / Posts / X
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